Lidia holds a Master’s in Modernism after Postmodernism – Twentieth Century Art and its Interpretation from the Courtauld Institute of Art, and a BA (Hons) in Liberal Studies Art History from Regent’s University London. By integrating disability studies as a critical methodology, her work seeks to uncover how art reflects and reshapes societal attitudes toward bodily difference, offering new frameworks for understanding identity, agency, and the politics of visibility in the visual arts. Lidia’s professional background includes roles in various cultural institutions and editorial platforms. She also contributes to Trebuchet Magazine, writing on art history and contemporary culture. From 2022 to 2023, she worked as an Explainer at Kenwood House with English Heritage in London. Her interests extend to art law, museum security, and modern art, with certifications from Sotheby’s Institute of Art and the Fondazione Scuola dei Beni e delle Attività Culturali.
