
Shane Lewis
Shane is an art historian who specializes in the Renaissance, Neoclassicism, and the 20th-century Modernist avant-garde. He has been producing articles on these periods (and more) which explore formal elements, content, contextualization, and the significance of artworks and artists in the history of ideas.
Articles by Shane Lewis

The Oath of the Horatii is the culmination of a century of aesthetic and Roman moral theory. Here, heroic virtue is counterpoised by another ethic.

Primavera by the 15th-century Renaissance Italian painter Sandro Botticelli is one of the most recognizable and justly famous works of art ever completed.
Primavera by the 15th-century Renaissance Italian painter Sandro Botticelli is one of the most recognizable and justly famous works of art ever completed.

The Ghent Altarpiece painted by the Van Eyck brothers, Hubert and Jan, is one of the most revered works of realism from the Early Renaissance.
The Ghent Altarpiece painted by the Van Eyck brothers, Hubert and Jan, is one of the most revered works of realism from the Early Renaissance.

Leon Battista Alberti’s book On Painting is the first known book on art theory, published in 1435. It heavily influenced all subsequent Renaissance art.
Leon Battista Alberti’s book On Painting is the first known book on art theory, published in 1435. It heavily influenced all subsequent Renaissance art.

Rembrandt’s artistic evolution from the precise detailing of the visual world towards a more tonal approach to painting divided opinion in his own time.
Rembrandt’s artistic evolution from the precise detailing of the visual world towards a more tonal approach to painting divided opinion in his own time.

The late painting of Paul Cézanne sought to portray nature and the phenomena of the physical world as directly as possible through looking and working.

The art of Mark Rothko sought to go beyond the depiction of the visible world and to envision a realm of pure spirit.
The art of Mark Rothko sought to go beyond the depiction of the visible world and to envision a realm of pure spirit.

Three paintings from the Dominican friary of San Marco in Florence by Fra Angelico reveal theological roots in Thomas Aquinas as well as his revolutionary aesthetic.

The 15th-century artist Piero della Francesca fused a passion for mathematics with naturalistic representation in his devotional imagery.
The 15th-century artist Piero della Francesca fused a passion for mathematics with naturalistic representation in his devotional imagery.

These three images by Albrecht Dürer show a gradual evolution through the artist’s attitude to Saint Jerome.