Why the GEM Is a Must-See for All Historians

The Grand Egyptian Museum (GEM) unites 5,000 years of history, including the full King Tut collection and a view of the Giza pyramids.

Published: Oct 23, 2025 written by Emily Snow, MA Art History & BA Art History and Curatorial Studies

Grand Egyptian Museum exterior in Giza, showing the angular limestone façade with pyramid-shaped volumes and landscaped rows of palms; pyramids faint on the horizon.
The Grand Egyptian Museum’s triangular facade and palm-lined forecourt on the Giza plateau, a short distance from the pyramids. Source: Grand Egyptian Museum (GEM).

 

The Grand Egyptian Museum (GEM) presents 5,000 years of Egypt in one walkable narrative on the Giza plateau. Opening fully in November 2025, the world’s largest museum devoted to a single civilization unites 100,000+ artifacts, the complete Tutankhamun assemblage, and visible conservation labs inside a building aligned with the pyramids. For historians, the GEM delivers scale, context, and method in a single visit.

 

5,000 Years of History at the Grand Egyptian Museum

The Grand Staircase at the Grand Egyptian Museum features monumental statues that line the ascent, guiding visitors through Egypt’s history in a single, continuous route
The Grand Staircase at the Grand Egyptian Museum features monumental statues that line the ascent, guiding visitors through Egypt’s history in a single, continuous route. Source: Grand Egyptian Museum (GEM).

 

The GEM’s galleries span Egyptian history from the Predynastic Period through the Coptic era. Displays are organized both chronologically and thematically to trace continuity and change across the Old, Middle, and New Kingdoms and beyond. At the heart of the GEM, the six-story Grand Staircase serves as a narrative spine for millennia of Egyptian history, with ten striking statues of an enthroned King Senusret I anchoring the ascent.

 

Every Tutankhamun Object Together at Last

Close-up of King Tutankhamun’s gold funerary mask with inlaid lapis lazuli and colored glass, showing the striped nemes headdress, inlaid eyes, and serene frontal gaze.
Tutankhamun’s gold funerary mask is the iconic centerpiece of the pharaoh’s burial assemblage. Source: Grand Egyptian Museum (GEM).

 

For the past century, Tutankhamun’s story has been told through a handful of artifacts at a time. At the GEM, the entire tomb assemblage, comprising over 5,000 treasures, appears together for the first time since its discovery in 1922. King Tut’s trove preserves the most complete New Kingdom royal burial on record, from sandals and linen to chariots, shrines, weapons, and furniture. The GEM Tutankhamun gallery is a fascinating map of 18th-Dynasty craft and cultural exchange.

 

Conservation and Research: Methods on Display

Conservators work on the restoration of a chariot from Tutankhamun's tomb in the Grand Egyptian Museum's conservation center
Conservators work on the restoration of a chariot from Tutankhamun’s tomb in the Grand Egyptian Museum’s conservation center. Source: CNN/Dana Smillie.

 

Historians don’t just work with what we know—they also consider how and why we know it. The GEM masterfully incorporates methodology into its surveys of Egyptian history through a large on-site conservation and research campus.

 

Inside the GEM Conservation Laboratory are 17 specialized labs focused on papyrus, textiles, wood, stone, metals, wall paintings, and human remains, as well as imaging and preventive care. Parts of the lab are designed with glass walls so visitors can watch conservators at work on artifacts, including King Tut’s treasures and the Solar Boat of Khufu.

 

A Museum Aligned to the Pyramids

Interior of the Grand Egyptian Museum with a tall glass wall framing two Giza pyramids; visitors sit and stand in the atrium overlooking the landscaped courtyard.
Inside the atrium, floor-to-ceiling glazing frames direct sightlines to the Giza pyramids—architecture that pulls the plateau into the museum experience. Source: Grand Egyptian Museum (GEM).

 

Designed by Heneghan Peng Architects, the GEM is in direct conversation with the Giza Plateau on which it sits. A visual axis at the entrance aligns with the Pyramids of Giza. Interior walls fan along this line, and the roof slopes to stay below the Great Pyramid’s height, keeping the landscape in view as visitors read the objects.

 

Because much of the collection is stone, strategic daylighting, and the structure’s concrete thermal mass stabilizes conditions across vast interiors. Beyond the walls, West 8 gardens extend the campus as public green space, echoing the Nile valley’s greenery. The result is a museum space that teaches you to read artifacts in the context of their world.

 

How the Grand Egyptian Museum Changes the Way We Do History

Interior of the Grand Egyptian Museum showing the Grand Staircase lined with seated pharaoh statues and stelae, visitors at the base, and daylight filtering from high windows.
At GEM, display, architecture, and landscape work together to preserve Egyptian history. Source: Grand Egyptian Museum (GEM).

 

  • See big patterns fast: At GEM, 5,000 years and 100,000+ artifacts on one campus make trends and exceptions visible in a single circuit.
  • Read objects in context: Galleries and sightlines align artifacts with the Giza plateau and ritual practice, not just display cases.
  • Watch the methods: Conservation, imaging, and documentation happen in view, so historians can see how claims are built.
  • Compare across regions: Themes like Society, Kingship, and Belief let you test ideas against Mediterranean, Near Eastern, and African histories.
  • Ready for teaching: The full Tutankhamun set, clear chronology, and intuitive wayfinding drop straight into seminars and survey courses.
photo of Emily Snow
Emily SnowMA Art History & BA Art History and Curatorial Studies

Emily is an art historian and writer based in the high desert of her native Utah. She holds an MA in art history from the Courtauld Institute of Art with an emphasis in Aesthetic Movement art and science. She loves knitting, her calico cat, and everything Victorian.